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What about the plot?
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MLT
 02 Sep 2008, 22:35 #43261 Reply To Post
Hi everyone,

I am thinking of taking Wild Carrots off and doing a fairly extensive edit/rewrite.

However, I don't want to devote a lot of time to it if the plot itself is no good. That is something that doesn't usually get commented on in reviews because it is in the one page synopsis.

If anyone has a moment to spare to read the synopsis rather than the chapters and tell me if it is fatally flawed or if it is worth my persevering with the book, I'd be very grateful.

Thanks

Marjorie
timellis
 03 Sep 2008, 08:17 #43272 Reply To Post
MLT

You don’t say how Sam is able to travel between parallel worlds, which I feel is important because it’s not everyone that can do that! Secondly, I don’t think the idea of risking your family’s life is an option regardless of the reason. Maybe, they get kidnapped before he realises he’s risking their lives, and then as well as saving the alien race, he has to rescue his family.
awrigley
 03 Sep 2008, 08:58 #43275 Reply To Post
People won't read the synopsis. You are trying to put too much in there.

It does, mind you sound as if it has the potential to be very entertaining, so long as the spoof on current pc trends isn't too obvious.

Another point: you need to distinguish between the plot and the sequence of events that support the plot.

So for example:

Elfdom and its 4 kingdoms are in trouble!

Infertility is rife and the only known cure are wild carrot plants from the parallel world where humans live. But only the young elf YYY, the hero of the story, can cross the barrier into the other world and survive the terrible polution that humans have unleashed on their world.

Into the bargain, the king of XXX is worried that a cure to infertility will irreverisbly affect the balance of power between the 4 kingdoms.

---

The scene is set.

With that minimal context you can now go on to discuss the nature of the plot:

---

In terms of the Seven Basic Plots (Christopher Booker), this is a Quest plot...

----------

My point being that your synopsis is one indigestible lump that will be ignored despite the creative content it is discussing.

HTH

Andrew
This post was last edited by awrigley, 03 Sep 2008, 09:02
HJW
 03 Sep 2008, 12:40 #43302 Reply To Post
MLT

There is a lot of advice out there on how to write a synopsis, all saying different things…

But here’s my two pence worth.

I think the synopsis makes your story seem muddled and hazy.

I’d say you need to focus on Sam as the main character and:

- what he wants (the wild carrots and to save the elf world presumably – I’m assuming Sam’s a human not an elf?).
- why he wants it (your synopsis isn’t clear about what his motivation is for agreeing to deliver the wild carrots to the elf world – is it because of the kidnap of his family members or is it to help his friends he’s made in the elf world or is it both?).
- what he overcomes to achieve his goal (you mention him “facing a number of dangers and overcoming several difficulties” this is a bit vague, I think you need a couple of specifics).

I’d also cut down on the characters and some of the detail in the synopsis. Stick to the main plot points and characters and you won’t go far wrong.

About the plot overall - from what I’ve gathered, elves and parallel worlds seem to be viewed as a bit of a cliché in the publishing world (and I say that having written an elves and parallel world story myself. Sigh).

But I guess like anything el se, if you can write something from a fresh angle and with a strong voice this won’t matter too much – look at Artemis Fowl for example.

Please take the all above with a pinch of salt!
Oh blogger

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