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ProfessionalCritique
 12 Mar 2011, 09:46 #113015 Reply To Post
Random House are the publishers of bestselling authors such as Dan Brown and John Grisham. Each month on YouWriteOn.com editors from Random House and Orion provide an indepth critique of up to three highly rated YouWriteOn Top Ten novel openings, and mini-reviews of the rest of the top ten stories. This aims to assist all authors in their story development by giving feedback as to what editors are looking for in novel submitted to them.


Click here to view the story extract links for the stories reviewed below which are listed under February 1st for 2011
This post was last edited by ProfessionalCritique, 12 Mar 2011, 09:50
ProfessionalCritique
 12 Mar 2011, 09:47 #113016 Reply To Post
Out of Body (revised) Author : C S Abrahams


Dear C.S. Abrahams,
Congratulations on being chosen for a professional review. I was intrigued by your premise, which is very imaginative, and enjoyed the section of your story I read very much. I think you have all the elements here for a strong supernatural novel, and most of my notes are about developing what you have; slowing things down to allow the book to be bigger in feel. I hope they are of some use to you.

Iris
I liked the immediacy of Iris’s voice and the way you introduce her to your readers so directly. She is sparky and fresh and witty – and a different character in the genre. I am not totally sure that she is always consistent in her voice, however. She switches from not really being a people person, for example, to being bothered about social etiquette very quickly. Perhaps she could start out as unwaveringly anti-social, and we can see Tobey draw her out of it as the story progresses?
I also really like that she doesn’t feel self-indulgent or angst-ridden. But having said earlier that she stood out from many other heroines in this genre I think you do need to soften her just a little to allow us to grow to like her as a character and to be on her side as the story progresses.
It would be great to slow down the opening chapters a little, I think. Allowing us to get to know her better and see her life more intimately will make us care more deeply as the dramatic events start to unfold. Things like the relationship between her and her mother, for example, might be good to tease out in smaller details rather than all in one go.

Iris and Tobey
These are potentially two very strong characters, and a great couple, but again I think you could really afford to slow things down and let your readers relish in the build up of their relationship. I wonder whether you’d thought about having Tobey and Iris grow closer before he reveals why he’s around? They could still meet on the beach, but he wouldn’t reveal anything until much later – maybe even allowing Iris to learn for herself making her more proactive? I do think this would help to build the drama and intensity, as we’ll be guessing at what mystery Tobey is hiding for longer.

Tobey
I also think that in allowing the relationship to slowly develop it would make him more real as a character. He’s obviously very brooding and attractive, but I think there’s scope for us to slowly, through Iris, learn more about him, knowing there is something mysterious about him and wanting him to be honest with Iris.
At the moment, I do think it’s too obvious that Tobey is going to turn out to be a ghost. As I mentioned earlier, if you were to perhaps feed out the details of Iris’s final moments with her mother more slowly, and build up the relationship between her and Tobey more slowly then this might not be so obvious.

Action
It’s hard to judge this completely after only reading a few sample chapters, (which are paced well) but I’d suggest making sure you have enough action and intensity throughout the rest of the novel. Iris’s voice is distinctive and will carry your readers on to a point, but there needs to be some scenes of real excitement.
Your synopsis suggests that there will definitely be some, and in fact the book almost seems to become thriller-like. It would be good, I think to get a sense of this right from the start.

As I said, I do think all the elements are there to make this a strong novel, but I feel that I should warn you that this area of the YA market is very, very crowded indeed. I would suggest developing Iris as a distinctive heroine, with a strong voice throughout, to match your innovative premise and also making sure that the thriller aspects of your novel are just as strong as the romance, the supernatural and the characters.
I’m sure all these elements will come together brilliantly to make a fantastic piece of work, and I wish you the very best of luck with it.

Ruth Knowles
Random House
ProfessionalCritique
 12 Mar 2011, 09:49 #113017 Reply To Post
Random House mini-reviews


The Genie in the Bottle by Bob Erw Wen

This is a very well-executed story that I enjoyed reading very much. The themes of alcoholic parents and sibling relationships are not new ones, but you have pulled them together in such a way, with such emotion, that it is totally compelling - congratulations.

The exchanges between Stuart and Stacy are beautifully done and feel very realistic. I would maybe suggest making the titular theme run through the story maybe a little more clearly – just one more reference to the genie would do it, I’m sure.

Stuart’s voice is strong and also extremely realistic. I did wonder if it was always consistent. Of course he has to be more worldly wise than most other sixteen year olds, but in places I think we lost some of the teenage naivety that makes his voice so readable. Having said that, this in no way detracted from my enjoyment of this lovely piece of writing.


The Devil-Faced Girl by Laurinda Luffman

I found this a very intriguing extract, with some strong characters and, on reading your synopsis, a great plot. I liked the very immediate opening, but subsequently found myself wondering if we should know that Orla is writing her story from the outset as this then felt a little inconsistent in places. I also felt Orla could be softened a little in places as especially in her banter with Linda she felt a little too harsh, too bitchy.

Because you have so many strong elements to the novel I think you could afford to slow things down and allow us more time to get to know Orla and Danny separately and then as their relationship develops. I wondered even if you might consider adding in the occasional chapter from Danny’s perspective as his back story’s so intriguing.

The plot really does sound very exciting and I wish you the very best of luck with it.


Wearing the Cape by Marion G Harmon

I enjoyed this very much – it’s a great, commercial premise with some interesting characters. As this has such a point of difference from standard superhero stories – the real-life teenage girl behind the cape – I really think you could make slightly more of it. When Hope is with the doctor going through her new-found skills for the first time, for example, you keep us distanced from it. I think that would be a great scene to show rather than tell.

In general, though I like Hope’s voice I think it would be nice to let your readers into her head a little more. She has such an interesting back story it might be nice t see her resisting her superhero status for longer and struggling to come to terms with it.

I think there are some lovely touches and details in your writing – including the chapter openers – which go to make this a vibrant, imaginative world and I wish you the best of luck with it.


Ruth Knowles
Random House
This post was last edited by ProfessionalCritique, 12 Mar 2011, 09:49
caz2108
 12 Mar 2011, 13:16 #113033 Reply To Post
Ted

Please pass on my thanks to Ruth Knowles for her feedback. After reading it, I'm buzzing with ideas and am so grateful for the opportunity to get this critique.

Caz
chickin
 12 Mar 2011, 13:38 #113034 Reply To Post
A Great review, Caz - many congrats, and to Laurinda and Marion.


Thanks very much, Ruth, for the encouraging words re Genie. I genuinely appreciate your time.
I deleted my sig.
caz2108
 12 Mar 2011, 14:52 #113040 Reply To Post
Quote: chickin, Saturday, 12 Mar 2011 13:38
A Great review, Caz - many congrats, and to Laurinda and Marion.


Thanks very much, Ruth, for the encouraging words re Genie. I genuinely appreciate your time.


Right back at ya, Gail. Well done all. Really positive stuff.

xx

SusieHolmes
 12 Mar 2011, 16:47 #113052 Reply To Post
Well done to all.

Gail, you must be thrilled with such positive feedback. Brilliant.
kazmojazz
 12 Mar 2011, 17:38 #113054 Reply To Post
Yes, well done, all of you. What positive feedback and so well deserved. Chuffed to bits for you.
laurinda
 13 Mar 2011, 13:26 #113094 Reply To Post
Ted
Please thank Ruth for her kind review and helpful advice. I'm nearly at the end of Devil-Faced Girl, so it will be useful to have her comments in mind when I go back to the start.

And also a quick thank you to the YWO regulars. It's so great to be in such high-class writing company, which serves both as an inspiration and also a spur to strive even harder for that perfect novel opening!

Laurinda
mgharmon
 14 Mar 2011, 00:18 #113138 Reply To Post
Thank you Ruth!

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